That morning Michael had asked to to find out if there were any (relatively) cheap seats to that night’s ballet performance of Onegin.
The Sydney Opera House seemed more crowded than it had been when Michael and I visited earlier, and this time, as I approached from the park, I saw up on the highest peak of the building two tiny figures, men black with distance, moving slowly. It looked as though there was actually a staircase of sorts curving over that rooftop, one with railings. Was it possible to get permission to climb up there and enjoy the view? If so, nobody but those two apparently were willing to do it. God knows, I wouldn’t. They were moving, but moving exactly the way I would if I were up there — veeerrrryyy slowly, with both hands on the railings. I waited until they had disappeared back behind the roof before going on.
I walked up the stairs and around the back of the opera house along the bay. It was another sunny day, and there were more people about, but the crowds felt in a weird way more serious and less aimless. Everybody seemed on their way someplace else. Between the Circular Quay and the Opera House, I found a small kiosk where a thin lady in her sixties was dispensing information.
Librarians and ladies managing info desks in Sydney tended to be slender, dashing women either elderly or in late middle age, with still-abundant hair and a flair for using makeup. (And when better to use it than when you actually need it?) No doubt there are overweight people in Sydney, but they didn’t seem as prevalent as in the US.
Where there cheap seats available at tonights performance?” I asked her. Oh yes, she said. Some were as low as $85. If I went into the box office inside the Opera house, they’d show me where the seats were.
So I went back and climbed the stairs and went into the opera-house’s cathedral like lobby, with its miles of polished floor and and peaked ceiling that seemed to swallow up all sound so that every voice was hushed. Approaching the box office, manned by a single clerk, was like approaching an altar.
No, the young man behind the desk told me. There were no $85 seats left. The cheapest were $120.
We would not be going to the ballet tonight.
Outside, the sunlight was a little dazzling. The broad white patio between the water and that side of the opera house was crowded. As I left I noticed two groups of teenaged students, boys on one side in blue jackets and ties, girls on another in blue skirts jackets and hats, about to begin a tour of the Opera House.